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Music Theory for Guitar - Intervals - a summary of inversions

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Previous page: Music Theory for Guitar - Harmonizing in inverted fifths Next page: Music Theory for Guitar - Chords

Intervals - Summary of sounds

This is the last summary of the basic intervals. These are all the intervals from unison to octave, with the same root. This means that not all intervals belongs to the same key, so now they are presented without the context of one scale. You get the in three versions, with C, F and G as roots.

A sound summary of all intervals
C as root
Perfect unison C-C:
MIDI
Minor second C-Db:
MIDI
Major second C-D:
MIDI
Minor third C-Eb
MIDI
Major third C-E
MIDI
Perfect Fourth C-F
MIDI
Tritone / Diminished Fifth C-F# / C-Gb
MIDI
Perfect Fifth C-G
MIDI
Minor sixth C-Ab
MIDI
Major sixth C-A
MIDI
Minor Seventh C-Bb
MIDI
Major Seventh C-B
MIDI
Perfect Octave C-c'
MIDI
G as root
Perfect Unison G-G:
MIDI
Minor Second - G-Ab:
MIDI
Major Second G-A:
MIDI
Minor Third G-Bb:
MIDI
Major Third G-B:
MIDI
Perfect Fourth G-C:
MIDI
Tritone / Diminished Fifth G-C# / G-Db:
MIDI
Perfect Fifth G-D:
MIDI
Minor Sixth - G-Eb:
MIDI
Major Sixth G-E:
MIDI
Minor Seventh G-F:
MIDI
Major Seventh G-F#:
MIDI
Perfect Octave - G-g':
MIDI
F as root
Perfect Unison F-F:
MIDI
Minor Second - F-Gb:
MIDI
Major Second F-G:
MIDI
Minor Third F-Ab:
MIDI
Major Third F-A:
MIDI
Perfect Fourth F-Bb:
MIDI
Tritone / Diminished Fifth F-B / F-Cb:
MIDI
Perfect Fifth F-C:
MIDI
Minor Sixth - F-Db:
MIDI
Major Sixth F-D:
MIDI
Minor Seventh F-Eb:
MIDI
Major Seventh F-E:
MIDI
Perfect Octave - F-f':
MIDI
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Previous page: Music Theory for Guitar - Harmonizing in inverted fifths Next page: Music Theory for Guitar - Chords