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Modified: Aug 3 2010 - Books - bestsellers
Modified: Aug 3 2010 - Scarborough Unfair
An article on how Paul Simon stole Martin Carthy's arrangement of the English folk song "Scarborough Fair"
Modified: Jun 12 2009 - Blues Guitar - 8-bar blues in A Come Back Baby
Part of a series of lessons on blues guitar. The series goes from basic blues to intermediate/advanced playing.
Modified: Mar 17 2009 - Blues Guitar - 8-bar blues in A - Key to the Highway
Key To The Highway - 8-bar blues in A, based on the playing of Big Bill Broonzy.
Modified: Mar 17 2009
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Music Theory for Guitar - Intervals - the Seconds |
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| The consonant invervals - sounds | Music Theory for Guitar - Intervals - the Sevenths |
Intervals - the Seconds
The seconds are the first of the dissonant intervals. As said in the lesson on thirds, the dissonant intervals sound unpleasant, uncomfortable and even aggressive. The first interval we will tackle, is the second. There are major and minor seconds.
The major second
The major second is one whole step above the root. The interval chosen as an example, is C-D.
Go to my Ear Training Lesson for examples of the other major seconds in the C-major scale: D-E, F-G, G-A and A-B
The minor second
The minor second is one half step above the root. It is the most dissonant of all intervals. It sound like a siren. But as we will see later, they are very important intervals in a harmonic context. There are only two minor seconds in the major scale, and I have chosen E-F as an example.
Go to my Ear Training Lesson for the the other minor second in the C-major scale: B-C.
Notice that the notes of a second interval are overlapping in standard notation. One is on the line, the other in the space.
It does not make much sense to harmonize a scale in seconds. It will be too dissonant.
| Further references |
| I: GP 2002-04 |
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