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Flat Five Substitution

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Previous page: 12-bars, Two Chord Shapes and a Touch of Jazz - part 4 Next page: The Flat Five Substitution - part 1

Previous page: Previous page: 12-bars, Two Chord Shapes and a Touch of Jazz - part 4Next page: The Flat Five Substitution - part 1 Next page:

Some Jazz Blues - books

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Jazzin' The Blues - A Complete Guide To Learning The Jazz-Blues Guita
Take your guitar playing into a new world as John Ganapes and David Roos teach you exactly how to Jazz the Blues in this step-by-step comprehensive tutorial.
RefNr: HL695608
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Jammin' the Blues Volume 2
This volume in the Frank Vignola play-along series contains useful, well-structured solos for 14 choruses of the blues in the most common keys.
RefNr: MB99317BCD
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Cool Blues and Hot Jazz Guitar
Cool Blues & Hot Jazz Guitar is the perfect introduction to the classic era of jazz guitar as epitomized by Wes Montgomery, Kenny Burrell, and Pat Martino.
RefNr: 1576239616
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Jazz Guitar - Jazz Blues Guitar Solos
A Melodic Approach to Jazz
RefNr: SPTS295
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Playin' The Blues - Book/CD
Easy to follow, learn the basics such as scales, chords licks and phrases that are the foundation of modern blues guitar style.
RefNr: WBREHBK004CD
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Jazz Blues - videos


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Duke Robillard - Uptown Blues, Jazz Rock & Swing Guitar
Let Duke Robillard share his amazing skills with you in this classic Hot Licks session.
RefNr: HOT162
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Larry Coryell's Blues Guitar
RefNr: SGGW952DVD
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Live at Montreux 1986
Eric Claptons status as a guitar hero is unmatched by anyone else. Still in his late teens his fans nicknamed him God and he is still regarded with both awe and reverence by fellow guitarists and music fans alike. This concert from the Montreux Festival in 1986 came shortly before the release of his August album later that year and features the main musicians who would also appear on the album namely Phil Collins on drums (who also produced the album) long-time collaborator Nathan East on bass and Greg Phillinganes on keyboards.
RefNr: B000HLDFDG
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Previous page: 12-bars, Two Chord Shapes and a Touch of Jazz - part 4 Next page: The Flat Five Substitution - part 1